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Greetings to all bamboo breathers !
I am Thomas, French Bamboo Flutemaker
I build many kind of bamboo flutes inspired from different world traditions;
I'm in the beginning of my Shakuhachi way,
hopping to share it with you (so small is the French Shakuhachi community !)
The Shakuhachi I build are actually made from Tonkin Cane (arundinaria amabilis) foot pieces (but with no roots)
also some Phillostachys Aurea root sections I harvested.
no Utaguchi insert yet; it may come after more experience on the mouthpiece.
Now time is coming to look for french madake to harvest...
About practising, I need to play more;
The point is that I only play on the shakuhachi I make
without any models or advised player to guide me on my making.
I miss the player experience to appreciate the quality of the Shakuhachi I make.
But still I find great pleasure in playing and making.
so let's go on in my Chikudo
thomas
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thogoul wrote:
Greetings to all bamboo breathers !
I am Thomas, French Bamboo Flutemaker
I build many kind of bamboo flutes inspired from different world traditions;
I'm in the beginning of my Shakuhachi way,
hopping to share it with you (so small is the French Shakuhachi community !)
thomas
Welcome to the forum Thomas!
Tonkin is a pretty good madake rootend substitute as it is dense and sturdy.
The lowest cut piece has a nice taper as well.
Lots of information in the flutemaking section here to retrieve and add to. I hope
the forum can be helpful for you.
Ken
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Welcome Thomas.
[Forum members: be sure to have a look at Thomas' website. He makes many kinds of flutes; even makes Saxophones and fujaras! See the link 'Mes Flutes' for a list, including pics and some sound clips.]
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It's great that Thomas is making Balinese suling. Those Balinese suling are pretty good for learning circular breathing on. It's probably the easiest flute kind of instrument to circular breath with, and that's typically how they are played. Learn it on the easier instruments made for it, like suling or didjeridu, and then move onto instruments that it's more difficult with.
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Welcome Thomas!
One piece of advice. (I learned this the hard way). When you are new at playing, you may invariably be playing flat - too close to the utaguchi- and when you build them yourself when you tune your shakuhachi, it will reflect the difference, and an experienced player will play your shakuhachi much sharper. What plays in D for you, they play D# or more.
A teacher can help you begin the right way, and that will reflect in your building as well as technique.
So with that being said, when you make them, please take pictures!
Last edited by Taldaran (2009-10-22 20:06:53)
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Hi everybody,
what a warm welcoming...! thanks
Thanks Taldaran for this precious advice;
I'm kind of noticing that these times.
I'll try to meet French masters.
As far as my first Shakuhachi customers were novices like me,
even as happy as they are of their instrument, I can't have any critical advice from a experienced player.
Maybe I should start contact with French Shakuhachi community even if I don't have enough confidence yet in my work to meet masters...!
Indonesian Sulings are also new coming from my 2009's flutemaking experiences;
I especially like the tuning of Indonesian scales; not tempered, with expressive microtones.
(one of those scales 'Slendro' is pentatonic like the Shakuhachi scale : the octave is divided in 5 equidistant tones i.e one tone is 240 Cent = little bit less than 1&1/2 tone)
I started experiencing on Slovakian Fujara (still with bamboo) 2 years ago and recently found good results.
this rich overtone gigantic flute is just amazing !
As I am a young flutemaker (28 years old and only 6 years of flutemaking);
I am still quite dispersed in many kind of flutes so my results are going slower than if I was working on one instrument only.
OK so now i'll try to join a picture of my latest 1.8 Shakuhachi :
good breathings to all
thomas
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thogoul wrote:
As far as my first Shakuhachi customers were novices like me,
even as happy as they are of their instrument, I can't have any critical advice from a experienced player.
Maybe I should start contact with French Shakuhachi community even if I don't have enough confidence yet in my work to meet masters...!
There is a shakuhachi player/teacher in Paris that you might contact: Jean-François Lagrost
Website: http://web.me.com/jfsl/flute-shakuhachi/Accueil.html
Email: jfsl@me.com
With Veronique Piron (http://www.shakuhachisociety.eu/teacher … udasatoshi), he established the European Shakuhachi Society:
Home:http://www.shakuhachisociety.eu/index.html
Teachers: http://www.shakuhachisociety.eu/teachers.html
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