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#1 2009-05-05 01:12:55

madoherty
Moderator
Registered: 2008-03-15
Posts: 366

Ma and John Cage

I promised myself that I would created a thread on ma for mother's day:

Lodro wrote:

radi0gnome wrote:

Lodro wrote:

and MA is...?

silence

Ah yes, John Cage invented that little thing didn't he? Takes just over 4 minutes I think smile

Interesting the commonality between what Cage spoke of and ma (but also Japanese aesthetics in general), particularly in that he and Watazumi shared ideas at least on one occasion.  I think that many people mis-understand what Cage was after in his portrayal of "silence" in his music, forgetting that his "silence" was rife with the incidental sounds of the listener's surroundings (and this was the goal for his 4'33 piece).  I am not certain that ma would be the same as this, being defined, in my understanding, as the space between events.  Cage was after a different aesthetic... closer to Watazumi's "one sound" than a theoretical "ma", although perhaps similar empirically.

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#2 2009-05-05 02:54:13

Lodro
Member
From: Australia
Registered: 2009-04-02
Posts: 105

Re: Ma and John Cage

madoherty wrote:

I promised myself that I would created a thread on ma for mother's day:

Lodro wrote:

radi0gnome wrote:

silence

Ah yes, John Cage invented that little thing didn't he? Takes just over 4 minutes I think smile

Interesting the commonality between what Cage spoke of and ma (but also Japanese aesthetics in general), particularly in that he and Watazumi shared ideas at least on one occasion.  I think that many people mis-understand what Cage was after in his portrayal of "silence" in his music, forgetting that his "silence" was rife with the incidental sounds of the listener's surroundings (and this was the goal for his 4'33 piece).  I am not certain that ma would be the same as this, being defined, in my understanding, as the space between events.  Cage was after a different aesthetic... closer to Watazumi's "one sound" than a theoretical "ma", although perhaps similar empirically.

It sounds to me - from what you're saying -  that Ma is in fact more closely correlated with the Chinese 'wu chi' (nothingness - potential) as opposed to that Cage-ian tradition (also Satie, Eno and other people (Charles Ives?) where the 'silence' is in fact a 'space' where one is freed up to let other stimulae enter your focus that previously might have been ignored. Am I close at all, or on another planet?


Each part of the body should be connected to every other part.

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#3 2009-05-05 09:04:12

madoherty
Moderator
Registered: 2008-03-15
Posts: 366

Re: Ma and John Cage

I am unfamiliar with wu chi, unfortunately, but in my limited research "ma" does appear to be defined by an absence, or at least silence-in-relation-to-sound.  Intention also seems to be important in ma, where the intention of the performer carries through this space into the next phrase.

Cage tried to untie the listener to the composer's intent as much as possible.  His point on silence is that there is no silence... listening depends on the attention of the listener.  This is not similar to Satie, who came before, though he definitely opened the door for Cage.  Eno, and other composers post-Cage were most likely influence by him, though I know of none that held his same view of "silence", to my knowledge.

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#4 2009-05-06 02:13:51

edosan
Edomologist
From: Salt Lake City
Registered: 2005-10-09
Posts: 2185

Re: Ma and John Cage

Just happened upon this video of Mr. Cage giving a little manifesto on sound:

"John Cage about Silence" (he's not really talking about silence, per se, but sound, and what it means, or doesn't mean, to him):

     http://www.youtube.com/watch?v=pcHnL7aS64Y

Worth a listen smile


Zen is not easy.
It takes effort to attain nothingness.
And then what do you have?
Bupkes.

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#5 2009-05-06 03:10:42

Lodro
Member
From: Australia
Registered: 2009-04-02
Posts: 105

Re: Ma and John Cage

edosan wrote:

Just happened upon this video of Mr. Cage giving a little manifesto on sound:

"John Cage about Silence" (he's not really talking about silence, per se, but sound, and what it means, or doesn't mean, to him):

     http://www.youtube.com/watch?v=pcHnL7aS64Y

Worth a listen smile

Mr Cage never fails to amaze me! He has a way of reminding one of something we probably once knew, that we might now have forgotten about.


Each part of the body should be connected to every other part.

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#6 2009-05-06 03:54:39

edosan
Edomologist
From: Salt Lake City
Registered: 2005-10-09
Posts: 2185

Re: Ma and John Cage

Lodro wrote:

edosan wrote:

Just happened upon this video of Mr. Cage giving a little manifesto on sound:

"John Cage about Silence" (he's not really talking about silence, per se, but sound, and what it means, or doesn't mean, to him):

     http://www.youtube.com/watch?v=pcHnL7aS64Y

Worth a listen smile

Mr Cage never fails to amaze me! He has a way of reminding one of something we probably once knew, that we might now have forgotten about.

As much as I also admire and respect Mr. Cage, I must aver that the opposite of what he says is also true: If sound (and the absence of sound, concatenated with it) did not have meaning to us, we would surely be lost. It'd be like the eye, not being able to see ANYthing, for seeing EVERYthing, as the same. We might as well be blind. It seems to me that it's only by sound having meaning that we can then step outside of it and regard it as Mr. Cage does, as a pleasant construct in its own right. Then we must go back home and give it meaning again...


Zen is not easy.
It takes effort to attain nothingness.
And then what do you have?
Bupkes.

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#7 2009-05-06 04:31:40

Lodro
Member
From: Australia
Registered: 2009-04-02
Posts: 105

Re: Ma and John Cage

edosan wrote:

As much as I also admire and respect Mr. Cage, I must aver that the opposite of what he says is also true: If sound (and the absence of sound, concatenated with it) did not have meaning to us, we would surely be lost. It'd be like the eye, not being able to see ANYthing, for seeing EVERYthing, as the same. We might as well be blind. It seems to me that it's only by sound having meaning that we can then step outside of it and regard it as Mr. Cage does, as a pleasant construct in its own right. Then we must go back home and give it meaning again...

I tend to agree but I don't think Mr Cage does entirely exclude that aspect either (although if you take that video as 'the' only way he thinks then yes it would seem 'one-sided'). Sound can have many meanings and sound for sound sake is just one of them. Australian Aboriginal Inma (Corroboree) exists as a tool to ensure that the land and all that supports Aboriginal people is maintained. Sumateran trance rituals (including the music) exist to ensure that the appropriate spirits and passageway to meet the spirits is maintained. Heavy metal exists so that metal-heads can get brain damage smile. Nursery Rhymes exist so that kids can go to sleep and have horrible nightmares about the story told through the music. John Cage's 'Music for prepared piano' exists so that we can listen to it for it's own sake which is different to listening to something else, hence it already has attained its own meaning. Etc. You probably get my drift by now anyway. Music seems to exist to serve many purposes - socially, ritually, expressive, impressionistic, aesthetically (John Cage). And yes I agree that this all leads to 'music has meaning'. All music.

Last edited by Lodro (2009-05-06 04:47:04)


Each part of the body should be connected to every other part.

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#8 2009-05-06 11:24:23

madoherty
Moderator
Registered: 2008-03-15
Posts: 366

Re: Ma and John Cage

[My impression is that] Cage was so into listening, the experience of sound, that meaning by the performer/composer was a distraction, contrived, and superfluous to the experience.  Rules that govern the way music should be put together had little place for him, outside of what sounded good, or what chance brought to the table.  Sound and music was obviously, and intensely, meaningful to him, but for him it is within the listener where meaning is created.  I do think that he was talking about himself, his experience, and not making an epistemological judgment on music, but maybe pointing to a place in which meaning is created that is different than what we usually think.

Cage was a Modernist, reacting in some was to the Romantic era.  The environment in which he learned his craft was bursting at the seems with large orchestral work by composers who wanted to paint a BIG picture of... whatever.  It is somewhat difficult to look back at what he was doing after being influenced by the Modernists, and now having moved onto a point in the post-Modern, or even Neo-Post-Modern, and still get where he was, and from where he was speaking from.

The question of meaning and music in regards to Cage is not different from a man I knew once who was so enthralled with Nature and Science (to the point of being religious / spiritual about it) that he says that he no longer concerns himself with questions of super-nature (G.O.D. / religion, etc).

Last edited by madoherty (2009-05-06 21:59:34)

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